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The Gentle Turn Inward: Why Winter Is the Season for Slow Making

The Gentle Turn Inward: Why Winter Is the Season for Slow Making

There is a quiet magic that arrives with winter.

Not the glittery kind that shop windows insist on, but the soft, ancient magic that settles in as the days shorten and the nights stretch out. A rhythm the land understands instinctively. A rhythm we once lived by too.

Every year, I feel the moment the world begins to tilt. The light thins, the evenings creep in, and my whole body, before my brain catches up, starts turning inward. Not dramatically. Just a gentle whisper: Slow down. Come inside. Rest.

For those of us who sew, stitch, mend, and make, winter offers rare permission to lean into quieter crafting. The meditative, nourishing parts we often rush past when life gets busy.

But this year, as the Christmas build-up has gathered momentum earlier and louder than ever, I’ve felt something else: pressure. Lists, deadlines, expectations, the familiar hum of you should be doing more. So I’ve made a choice, and that is to take my foot off the gas and follow the season’s invitation into slowness.

Winter as an ancient creative rhythm

In so many older seasonal traditions, winter was the inward season. The land rested. Seeds slept. Animals pulled back. And humans retreated into hearth-centred activities of mending, storytelling, quiet creativity. Winter making was never about speed or productivity. It was about presence, attention, and patience.

That kind of creativity still exists. We’ve just forgotten to honour it.

And this winter, I’ve found my way back to it through sashiko.

Sashiko as a winter companion

If summer stitching feels expansive, sashiko feels like the opposite; grounding, rhythmic, deeply calming. Needle up, needle down, needle up… like the slow heartbeat of the season itself.

Sashiko demands nothing extravagant. It rewards repetition, breath, and softness. All the things the festive rush tends to steal away. I’ve been sitting in the evenings with a simple piece of cloth, fire flickering, mug warming my hands, letting those small stitches bring me back to myself.

When I’m stitching sashiko lines, I’m not thinking about deadlines, orders, or the never-ending to-do list. I’m simply present. Breath following stitch, stitch following breath. The world outside may be speeding up, but in those moments, time loosens its grip.

Choosing gentleness over urgency

My plan for a perfectly organised run-up to Christmas unravelled quickly this year. Teaching, admin, Diploma Level preparation, planning out new workshops, the dreaded social media - suddenly the pace felt too sharp, too fast. I could feel my shoulders rising and my breath tightening.

So I listened to that inner tug asking for slowness. Not a dramatic stop. Just enough space to breathe. Enough to remember that creativity becomes brittle under pressure.

Winter isn’t designed for sprinting. It’s designed for deeper, quieter work.

Slow making reconnects us with the heart of craft. The feel of cloth against skin. The gentle conversation between needle and thread. The satisfaction of time spent, not raced through.

This kind of making nourishes rather than drains. It fills the creative well so that, come January, when the bright new workshops and ideas return, we meet them with steadiness rather than burnout.

Letting winter reshape the pace

We’re told to be the same person in every season; equally productive, equally energetic, equally outward-facing. But look outside: nothing in nature works like that. The fields rest. The trees rest. Even the rivers seem slower.

Why shouldn’t we?

Historically, winter was the season for mending, contemplation, planning without urgency, and long, quiet textile work. Not hustling. Not performing. Not stretching ourselves thinner than the daylight.

And the older I get, the more I recognise the wisdom in that rhythm.

My winter intention

This season, I’m choosing:

  • Evenings with needle and thread.

  • Sashiko lines that feel like exhaling.

  • Pausing rather than pushing.

  • The gentle inward turn.

  • Kindness towards myself.

I’m choosing to trust that slow making is not “less” - it’s simply different. Deeper. More human.

A soft invitation for you

If the season feels heavy, rushed, or overwhelming, perhaps winter is inviting you inward too. Maybe it’s time for slower stitches, smaller projects, gentler expectations. Time to let your creativity breathe rather than hurry.

Just one quiet row of stitches might be enough.

Because the beauty of winter isn’t found in how much we fit into it, but in how deeply it lets us reconnect with ourselves, our craft, and the quieter rhythms that sustain us.

This is the season for slow making.
For nourishment.
For gentleness.
For returning to the self.

Jules x

 

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